Black Identity and Culture in the Harlem Renaissance : (Titelsatznr. 59413)

[ MARC ]
000 -LEADER
fixed length control field 02374nam a22002297a 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 180912s2017 ua |||g bm|| 00| 0 eng d
040 ## - CATALOGING SOURCE
Transcribing agency SOUL
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Edition number 21
Classification number 430
Item number A B
100 1# - MAIN ENTRY--PERSONAL NAME
9 (RLIN) 4779
Personal name Abd Allah, Amira Ezz El Din Ahmed.
245 10 - TITLE STATEMENT
Title Black Identity and Culture in the Harlem Renaissance :
Statement of responsibility, etc. Amira Ezz El Din Ahmed Abd Allah ; Supervisors Mohamed Elsaid Alkon, Mona Salah El Din Hassanein.
Remainder of title A Study of the Poetry of Langston Hughes and Claude McKay /
246 01 - VARYING FORM OF TITLE
Title proper/short title هوية مجتمع السود وثقافته في حركة نهضة هارلم :
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc. Cairo :
Name of publisher, distributor, etc. Ain Shams University,
Date of publication, distribution, etc. 2017.
300 ## - PHYSICAL DESCRIPTION
Extent 153 p. ;
Dimensions 30 cm.
500 ## - GENERAL NOTE
General note Thesis (M.S.) - Ain Shams University. Faculty of Education. Department of English.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Includes bibliographical references (p. 131 - 139)
520 ## - SUMMARY, ETC.
Summary, etc. black identity and black culture in the Harlem Renaissance movement which emerged in the 1920s and continued through the 1930s, with particular reference to the poetry of Langston Hughes and Claude McKay. The thesis is divided into three chapters. Chapter One, entitled ”The Harlem Renaissance,” discusses the importance of the Harlem Renaissance as the significant intellectual, literary and cultural movement in the twentieth century. It also tackles the several definitions of identity and culture. Chapter Two, entitled ”Black Self-Assertion in the Poetry of Langston Hughes,” focuses mainly on the theme of black self-assertion as exemplified in the racial poems of Langston Hughes. It demonstrates how Hughes asks his black people to recognize their beauty and their self-worth and to disavow the sense of inferiority instilled in them by the white Western world. Chapter Three, entitled ”Radicalizing African American Identity: the Poetry of Claude McKay,” deals with revolutionary black identity as exemplified in the radical poems of Claude McKay. It clarifies how McKay urges his black people to revolt against racial persecution in order to attain their rights of freedom, equality and justice. These three chapters are followed by a conclusion in which the researcher’s findings are presented.
546 ## - LANGUAGE NOTE
Language note Text in English, abstract in Arabic and English.
650 14 - SUBJECT ADDED ENTRY--TOPICAL TERM
9 (RLIN) 4780
Topical term or geographic name as entry element African Americans
Form subdivision Poetry.
700 1# - ADDED ENTRY--PERSONAL NAME
9 (RLIN) 4781
Personal name Alkon, Mohamed Elsaid,
Relator term Supervisor.
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme
Koha item type Theses
Item part Faculty of Languages & Translation كلية اللغات والترجمة
Exemplare
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Permanent location Current location Shelving location Date acquired Full call number Barcode Date last seen Copy number Price effective from Koha item type
          Default 6october 6october 1208 2018-12-30 430 A B SOULE208TH0803 2021-08-25 1 2018-12-30 Theses
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