000			03632cam a2200457 a 4500
999			_c58060 _d58060
001			17423900
003			OSt
005			20170222120458.0
008			120809s2013 ua b 001 0 eng
010			_a 2012029749
020			_a9781107559493
040			_aDLC _cDLC _dDLC
042			_apcc
050	0	0	_aPR428.P76 _bS47 2013
082	0	0	_a820.9353 _223 _bC S
084			_aLIT004120 _2bisacsh
100			_aCraik, Katharine A.
245	0	0	_aShakespearean sensations : _bexperiencing literature in early modern England / _cedited by Katharine A. Craik and Tanya Pollard.
260			_aCambridge ; _aNew York : _bCambridge University Press, _c2013.
265			_aالمكتبة الاكاديمية
300			_ax, 244 p. ; _c24 cm.
500			_aسيد التونسى / كلية اللغات والترجمه - قسم اللغه الانجليزية
504			_aIncludes bibliographical references (p. 218-238) and index.
505	8		_aMachine generated contents note: Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith.
520			_a"This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers"-- _cProvided by publisher.
600	1	0	_aShakespeare, William, _d1564-1616 _xCriticism and interpretation
650		0	_aEnglish literature _yEarly modern, 1500-1700 _xHistory and criticism _xTheory, etc.
650		0	_aEnglish literature _xPsychological aspects.
650		0	_aReading _xPhysiological aspects.
650		0	_aSenses and sensation in literature.
650		0	_aReader-response criticism.
650		0	_aTheater audiences _zEngland _xHistory _y16th century.
650		0	_aTheater audiences _zEngland _xHistory _y17th century.
650		0	_aMind and body.
650		7	_aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh. _2bisacsh
700	1		_aCraik, Katharine A.
700	1		_aPollard, Tanya.
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cBK
955			_brg16 2012-08-09 _irg16 2012-08-09 to CIP (Dewey completed) _axn08 2013-04-19 1 copy rec'd., to CIP ver.